"I have always made things with my hands and now try to find ways to combine my fine art background with photography. I have used origami in the past as props in my photographs, but in this series ‘Cosmic Surgery’ the origami has become an integral part of the final image.
The series has three distinct stages. Firstly I photograph the sitter, then print multiple images of the subjects face and fold them into a complicated origami modular construction, which then gets placed back onto the original face of the portrait. Finally the whole thing is re-photographed.
Origami is very meditative, you can get lost in the world of folding for hours. It is also extremely delicate and fragile, so by giving each geometric paper shape somewhere to sit within the final image, the origami has been given a backbone.
There is something quite alien about the manipulated faces, as if they belong to some futuristic next generation. In these portraits the children become uncanny, while their parents are seen in a more familiar moment.”

You can see more from Alma Haser in Issue #2, which can be found here.
Website / Twitter

"I have always made things with my hands and now try to find ways to combine my fine art background with photography. I have used origami in the past as props in my photographs, but in this series ‘Cosmic Surgery’ the origami has become an integral part of the final image.
The series has three distinct stages. Firstly I photograph the sitter, then print multiple images of the subjects face and fold them into a complicated origami modular construction, which then gets placed back onto the original face of the portrait. Finally the whole thing is re-photographed.
Origami is very meditative, you can get lost in the world of folding for hours. It is also extremely delicate and fragile, so by giving each geometric paper shape somewhere to sit within the final image, the origami has been given a backbone.
There is something quite alien about the manipulated faces, as if they belong to some futuristic next generation. In these portraits the children become uncanny, while their parents are seen in a more familiar moment.”

You can see more from Alma Haser in Issue #2, which can be found here.
Website / Twitter

"I have always made things with my hands and now try to find ways to combine my fine art background with photography. I have used origami in the past as props in my photographs, but in this series ‘Cosmic Surgery’ the origami has become an integral part of the final image.

The series has three distinct stages. Firstly I photograph the sitter, then print multiple images of the subjects face and fold them into a complicated origami modular construction, which then gets placed back onto the original face of the portrait. Finally the whole thing is re-photographed.

Origami is very meditative, you can get lost in the world of folding for hours. It is also extremely delicate and fragile, so by giving each geometric paper shape somewhere to sit within the final image, the origami has been given a backbone.

There is something quite alien about the manipulated faces, as if they belong to some futuristic next generation. In these portraits the children become uncanny, while their parents are seen in a more familiar moment.”

You can see more from Alma Haser in Issue #2, which can be found here.

Website Twitter

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